Monday 14 November 2011

14/11/2011 Release technique

While dancing today I focused on the the space my body moved through sensing how the muscular system reacts to certain movements, identifying areas of freedom in the joints and tension in the muscles as I feel the patterns run through the body. From the video below I can see tension in my shoulders pulling the ribs around to the side throughout, this tension is also visible through the neck as I struggle to relax during the shoulder rolls. In the warm ups before class I am going to do some stretches to loosen these areas and hopefully improve the rotation in the shoulder and neck joints.


From both watching this video I can see how my feet slip in and out of parallel posistion, and this is affecting my knee alignment throughout the excercises. When marking through the movement I need to be really clear  on the feet  as to whether  they are in first or parallel, pointed or flexed and be strict with myself in adhering to these details. Doing more foot and ankle strengthening excercises, such as simple slow rising into relevae and lowering, should also improve my clarity and my connection to the feet.




In the second video I appear generally strong but I can see that I need to fully extend the leg in arabesque posistions through the jumps to present clean lines through the movement and control the armms during the turn but I think this sequences is performed well and I can see myself taking in the space by reaching into the space with my focus and body, and using my centre to help push off the floor into the jumps.

"Developing Listening Bodies in the Technique Class" is an article by Rebecca Enghauser which delves into how we embody movement through the breath, spacial perception and somatically. Her views on how we have become disengaged with our bodies through repeative practice in contemporary technique class are similar to the approaches of the Bartenieff Fundamentals and Alexander technique but as a writer she acknowledges her work not to be ground breaking but more note worthy. She breaks her article down into five subsections:
  1. Spatial-Perceptual listening
  2. Kinesthetic Learning
  3. Listening Through Breath
  4. Eco-somatic Listening
  5. Listening through the Creative Process
She provides excercises at each of these stages to allow yourself to re-connect with your body and helps the mind become more open and intaking of ourselves and our surroundings by feeling through the space, the body and listening to your experiences and sensations of the environment.